By W. Ellenberger, H. BAUM, H. DITTRICH

ISBN-10: 0486200825

ISBN-13: 9780486200828

Comprises transparent instructions for drawing horses, canines, cats, lions, farm animals, deer, and extra. Covers muscle tissue, skeleton, and floor positive aspects. An enlarged version of the fundamental paintings within the box. 288 illustrations.

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Extra info for An Atlas of Animal Anatomy for Artists

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2) The hips have width, even on men. Some beginners have a tendency to draw them too narrow, and that negatively affects the placement of the legs. And (3), the legs, even the calves, have major muscles, and therefore should not be drawn skinny, even on slender characters. THE SHOULDER BLADES On most slender characters, the shoulder blades (scapula) are noticeable through the skin. It’s only on muscular characters that the individual muscles show on top of the shoulder blades. ) Female Since the difference between the male and female figure really starts to take shape with the addition of the muscles over the skeleton, it’s a good idea to also become familiar with muscle placement on women.

It has two distinct sections separated by a vertical split, but you don’t see this on the surface of the skin when the gastrocnemius is relaxed, so there’s no definition line there in the drawing below. For practical purposes, the gastrocnemius is often sketched as an oval and then adjusted at the top and bottom to show the gradual transition into the other muscles and tendons. The Achilles tendon always remains smooth. Flexed, Posterior View The calf muscles can really bunch up when flexed. The split in the gastrocnemius becomes visible when the muscle tightens up.

You can make them large, medium, or small, but larger pupils are generally reserved for younger characters. At this stage, the pupils look odd, floating in the middle of the irises. Don’t worry, the “shines” that we’ll add in the last step will “attach” the pupils to the upper eyelid and eliminate that deer-in-the-headlights stare. Left: Add color or gray tone to fill in the irises. Right: There’s a large shine in the upper left and a less brilliant shine at bottom right of each iris. Shines are often placed diagonally opposite each other for a dynamic look.

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An Atlas of Animal Anatomy for Artists by W. Ellenberger, H. BAUM, H. DITTRICH


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