By Doreen Bolger, Mary Wayne Fritzsche, Jacqueline Hazzi

ISBN-10: 0810918951

ISBN-13: 9780810918955

Ebook through Bolger, Doreen, Fritzsche, Mary Wayne

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Extra resources for American Pastels in the Metropolitan Museum of Art

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The analysis process can be described as passing through different phases of “… reflectively appropriating, of clarifying, and of making explicit the structure of meaning of the lived experience” (van Manen, 1997, p. 77). In accordance with Alerby and Bergmark (2012) this work is driven by a desire to understand the studied phenomenon and to make meaning. During the analysis it is therefore a matter of forming themes of the participants’ experiences, and Jonsson, Sarri and Alerby (2012), stress the importance of not letting this process be governed by certain predetermined rules or stages.

In fact, despite the Paharis being the earliest inhabitants of the CHT, their status as” economically self-sufficient, culturally distinctive, and socially egalitarian” (Uddin, 2008, in Uddin 2010, p. ) – they were gradually marginalised by the successive rule of the British (1858–1947) and Pakistan (1947–1971). The Chakma suffered several human rights violations, including ethnocide and genocide in the Liberation War of 1971. Through the ‘legitimacy’ attained through allegations against Pahari people of being collaborators of the antiliberation movement, the state’s atrocity over the CHT people continued after independence when Bangladesh’s new constitution espoused an explicitly hegemonic form of Bengali nationalism, which restrained ‘other’ ethno-linguistic identities and nationalisms among the people of the country (Adnan, 2008, p.

Being and Seeing Chakma Constructing Self and Other through Images And what you do not know is the only thing you know And what you own is what you do not own And where you are is where you are not. East Coker, Four Quartets. (T. S. Eliot, 1940) The increased politicisation of the question of ‘who is Indigenous’ can be seen as a result of success in the attainment of legal recognition – often through international laws – of Indigenous peoples around the world. Consequently, international organisations, host states, non-governmental organisations and researchers have each attempted to develop their own definitional standards of native peoples over the last five decades, although, as Corntassel (2003) points out, this is best answered by Indigenous communities themselves.

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American Pastels in the Metropolitan Museum of Art by Doreen Bolger, Mary Wayne Fritzsche, Jacqueline Hazzi


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