By Nathan Cabot Hale

ISBN-10: 0486142302

ISBN-13: 9780486142302

Stimulating, thought-provoking advisor indicates the right way to find a wealthy new layout resource within the abstractions inherent in traditional kinds. strains of development and constitution, water and liquid kinds, climate and atmospheric styles, luminosity, earth shades, many different parts are proven to be wellsprings of artistic abstraction. Over 370 pictures and different illustrations.

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The marks which we put on paper in this case would indicate the spaces between the two solid forms. 2. Line The basic ingredient of the language of art is line, and line is something that we all tend to take for granted because paper and pencil have been our constant companions since childhood. In our culture, almost everyone learns to form letters and write words in the first grade, and children begin drawing pictures even before they enter school. Controlling our hands to make lines on paper is so basic to our way of life that it seems that millions of people should understand the nature of line in all its intricacies—but the fact is that few people understand it at all.

This is a mark of particularly bad taste and poor drawing sense when it is done on the upper surfaces or planes that are surrounded with light and atmosphere. This mistake gives drawings a top-heavy, insensitive quality that wounds the eye of an artist. Master draftsmen do break this rule occasionally, but they do so only after they have gained control of line and understand its meaning. Project: This is another project that requires both observation and drawing. Its purpose is to help you discover the nature of light and dark lines.

Line decisions must be made before the actual line is made. Second, I want you to be aware of the control of your hand and arm in making the line. For even if you see a line correctly, you cannot make it unless your hand and arm can duplicate the linear movement you see. The artist must both decide and control. I want you to begin by only looking at objects. Pick several models—a person, a plant, a landscape. Spend plenty of time with each, just looking at the lines. Decide what kind of lines they are and where they begin and end.

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Abstraction in Art and Nature by Nathan Cabot Hale


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